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Four Tetrarchs

The linearity of the monumental unit in grey oak is adorned by the varied direction of wood veins, created by the sectioning of its top into four areas, merging towards the centre. Contrasting with minimalism, the four legs are defined instead, by a lathe manufacturing with flowing and rounded lines in the upper part, ending more sharply in a truncated cone, almost evoking the stylized shape of chess pieces.